A black knee-length skirt displayed on a mannequin dress form with wooden arms, standing on a metal tripod stand against a plain light gray studio background.
A black knee-length skirt displayed on a mannequin dress form with wooden arms, standing on a metal tripod stand against a plain light gray studio background.
A black knee-length skirt displayed on a dress form mannequin with wooden arms, standing on a silver tripod stand against a plain white studio background.
black velvet pencil skirt laid flat, showing the beaded filigree motif at the hem
close-up of the beaded filigree motif on the black velvet skirt
interior view of the black velvet skirt's waistband, folded open to show the hook-and-eye closure and taped hem
the black velvet skirt turned inside out, showing the cream interior lining and construction seams
close-up of the black velvet skirt's interior, showing the elasticized waistband and lining seam
extreme close-up of a seam on the black velvet skirt's lining
A black knee-length skirt displayed on a mannequin dress form with wooden arms, standing on a metal tripod stand against a plain light gray studio background.
A black knee-length skirt displayed on a mannequin dress form with wooden arms, standing on a metal tripod stand against a plain light gray studio background.
A black knee-length skirt displayed on a dress form mannequin with wooden arms, standing on a silver tripod stand against a plain white studio background.
black velvet pencil skirt laid flat, showing the beaded filigree motif at the hem
close-up of the beaded filigree motif on the black velvet skirt
interior view of the black velvet skirt's waistband, folded open to show the hook-and-eye closure and taped hem
the black velvet skirt turned inside out, showing the cream interior lining and construction seams
close-up of the black velvet skirt's interior, showing the elasticized waistband and lining seam
extreme close-up of a seam on the black velvet skirt's lining
A black knee-length skirt displayed on a mannequin dress form with wooden arms, standing on a metal tripod stand against a plain light gray studio background.
A black knee-length skirt displayed on a mannequin dress form with wooden arms, standing on a metal tripod stand against a plain light gray studio background.
A black knee-length skirt displayed on a dress form mannequin with wooden arms, standing on a silver tripod stand against a plain white studio background.
black velvet pencil skirt laid flat, showing the beaded filigree motif at the hem
close-up of the beaded filigree motif on the black velvet skirt
interior view of the black velvet skirt's waistband, folded open to show the hook-and-eye closure and taped hem
the black velvet skirt turned inside out, showing the cream interior lining and construction seams
close-up of the black velvet skirt's interior, showing the elasticized waistband and lining seam
extreme close-up of a seam on the black velvet skirt's lining

1930's black moleskin pencil skirt with beaded motif

Prix régulier
$355.00
Prix régulier
Prix de vente
$355.00
Frais de port calculés lors du paiement.
1 en stock, prêt à être expédié

a black moleskin pencil skirt from the barbara turner collection, with a beaded motif at front and back. closes with hooks and eyes. tapered fit through the hip, with darts at the waistband. hem is blindstitched and taped.

condition
moderate vintage condition. some pilling on the interior, with light staining and wear from the beading showing through on the interior side.

best fits
small/medium (fitted through the waist, more room through the hip)

measurements
Waist Circumference: 26 1/2"
Hip Circumference: 39"
Sweep: 40 1/2"
Total Length: 23"

barbara turner, in her own clothes

barbara turner trained in couture on grosvenor street, at an atelier on one of london's most storied fashion addresses. she made flying suits during the war, dressed actresses in the west end, and built a working life around clothes that had to perform, not just look good. she kept pieces from every stage of that life, on stage and off, and wore them until they showed it.

this collection is what she made and wore across that life, sourced directly through her family. each one carries its own history: a specific fabric, a finish, a repair, a choice she made at the time.

learn more about her story
the fashion industry has spent decades trying to be everything to everyone; every trend, every moment, every market. the result is a lot of product and very little that lasts. other matters exists in the space between. pieces chosen because they were made with a point of view, not a trend cycle. because the construction holds. because someone knew what they were doing when they made it. bringing one home is a small act of intention in a very loud world.

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